Yotsuba Clovers

East meets West meets Excess

Yuu Aoi is awesome October 2, 2007

Filed under: Awesomeness,Yuu Aoi — Dan @ 11:41 pm
Tags: ,

So guys, and girls, I’m a Yuu Aoi fan.

Many actors often get shoved into a singular role which they have difficulty both casting and acting out of. When I explain this idea to friends, I usually think Russell Crowe – can you see him in a non Gladiator-esque role? I mean, seriously. Or Tom Cruise, although I think he does it on purpose to inflate his already massive ego.

On the other hand, Yuu Aoi (蒼井優) managed to established herself as an acclaimed actress without clinging to a single stereotype. A short list of what she’s played:

  1. Refined schoolgirls, obviously (Alice)
  2. Unrefined mining girls (Kimiko)
  3. Military sergeants (Mami)
  4. Artists (Hagu)
  5. Erm, I guess a priestess of a sorts (Tanyuu)

That’s all I can think of for now. And now, in her latest movie she’ll be a slightly off-kilter resident of a psychiatric ward. (With cornrows. I still can’t get over that.) What’s the common link between these roles? Well, they’re female, and they’re deployed at a genius level by Aoi. Not much else.

I think what really causes her to shine is a mastery of the details of expression; Aoi is capable of minutely controlling her ranges of facial expression to limit it to the character she’s playing’s and the mood of the scene, or force a new one upon it. In other words, she’s very good at being expressive, and very good at being believable while gracefully shifting through a range of emotions. There’s a lot of things you can see her in where she doesn’t say anything on-camera, but still carries a very heavy and provocative presence simply because she knows all the right body language and facial movement to do so.

The real juxtaposition is how she acts in real life; self-describing herself as “shy,” she is always very reserved and talks softly in her interviews, so I wonder where she gets the ideas for her more extroverted characters. (Shoujo manga? That’d be cute.)

Oh and I mention she was cute yet? She used to sport a much “rounder” face in her younger days, which you can see sometimes in her older photos, but that’s sorta gone (baby fat, is it called?), with a more mature prettiness to replace it. It really is one of those faces that grows cuter as you look more. She also, although their physical features are different, her expressions remind me of someone I know, cough cough.

優ちゃんかわいい~!→

By the way, for my next “awesome person post,” I’ll do ZUN, which I actually feel a little more comfortable with because ZUN 1) isn’t cute, so the entry won’t be me gushing about ZUN that way and 2) I draw a lot, so I kinda understand the doujin artist concept. Sorta.

 

Greatest knife holder, ever. September 6, 2007

Filed under: Awesomeness,Funny and/or weird — Dan @ 4:29 pm
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I want it now, lol.

 

I’m glad I fell in love with you. August 18, 2007

オレはずっと考えたんだ うまく行かなかった恋に意味あるかって 消えて行ってしまうものは無かったものと同じなのかって・・・
I had always wondered about these things: Was there a reason behind feelings that just do not work out? Would things that just end up disappearing might as well not have existed?

今がわかる 意味はある あったんだよここに
Now I know; they all have meaning. This right here, it has significance

時を過ぎて 何もかもが思い出になる日きっとくる
As time passes, everything has a day when they become just reminiscences

-でも
But…

ボクがいて 君がいて みんながいて たったひとつのものを探した あの奇跡のような日々は
Those miraculous days when I was there… you were there… and we were all there… searching for just one thing

いつまでも甘い痛みとともに 胸の中の 遠い場所でずっと
they will, in a place deep in my heart, alongside bittersweet feelings

なつかしくまわりつづけるんだ・・・
forever continue to nostalgically revolve…

 

Hula Girls August 3, 2007

Filed under: Awesomeness,Pictures that move,Yuu Aoi — Dan @ 7:29 am
Tags: ,

So, despite being an Aoi Yuu fan, I’ve never actually seen any of her movies except Honey and Clover, in which she doesn’t say much and acts super cute. (Not that I have any problem with that.)

I saw Hula Girls on the ride back from Taiwan, which was pretty good. Some thoughts on the movie:

- Ohmigawd Yuu-san is so fucking cute. This is the main idea of the movie, I think.

- Hula Girls is apparently a past-meets-present conflict movie. I can see why they’re culturally significant in Japan, which retains many of its traditional culture but almost in separate boxes with its contemporary one. It’s a far more heterogeneous mixture than in many places, I think.

- Yuu-san in Hula outfit = awesome.

- What’s with the everyone run to the train platform bullcrap screaming that these movies love to put in? I wanted to slap the director because I think the scenes would have been far more moving without the 10 minutes of “SENSEI!!! SENSEI!!!” Like Funnce said, you just change the music and suddenly it’s one of those zombie movies.

- Omigawd Yuu-san is so fucking cute. And while I’m on that thought, this.

- I think this movie is one of the reasons why Aoi Yuu is considered one of the top actresses of Japan. She has the ability to play any role convincingly, from the meek Hagu to an almost “country bumpkin” girl complete with the Northeastern accent. You almost can’t believe that it is the same person in two films. By the way, Yuu-san herself supposedly is “shy” in real life.

- Other than that the movie seemed pretty good in general. But I doubt I would have watched it if it didn’t have Aoi Yuu in it. lol

 

HOSHII KAMO July 25, 2007

 

 
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